Memoirs personal essay
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Most sites paid a few hundred dollars for such pieces at most; xoJane paid fifty dollars. When I began writing on the Internet, I wrote personal essays for free. For some writers, these essays led to better-paying work. But for many the thrill of reaching an audience had to suffice.
Personal essays cry out for identification and connection; what their authors often got was distancing and shame. Bennett pegged her Slate piece to an essay that Carmichael and I edited at Jezebel, written by a woman who had met her father for the first time as a teen-ager and engaged, under emotional coercion, in a brief sexual relationship with him.
Some of the online publishers that survive have shifted to video and sponsored posts and Facebook partnerships to shore up revenue.
Aggregation and op-eds— the infamous, abundant takes —continue to thrive, although the takes have perhaps cooled a bit. Personal essays have evidently been deemed not worth the trouble. There are still a few outlets that cultivate a more subtle and sober iteration of this kind of first-person writing, some of them connected to book publishing. The managing editor of Catapult is Nicole Chung, who previously worked for the Toast. If it had already peaked by the time Bennett wrote about it, in the fall of , we can locate its hard endpoint about a year later, in November of last year.
After the Presidential election, many favored personal-essay subjects—relationships, self-image, intimate struggle—seemed to hit a new low in broader social relevance. Put simply, the personal is no longer political in quite the same way that it was. Individual perspectives do not, at the moment, seem like a trustworthy way to get to the bottom of a subject.
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Writers seem less interested in mustering their own centrality than they were, and readers seem less excited at the prospect of being irritated by individual civilian personalities. No more lost-tampon essays, in other words, in the age of Donald Trump. And yet I find myself missing aspects of the personal-essay Internet that the flashiest examples tended to obscure.
The Internet made the personal essay worse, as it does for most things. But I am moved by the negotiation of vulnerability. I never got tired of coming across a writerly style that seemed to exist for no good reason. CH: E. How much rewriting is involved? EJL : I have taken it through several drafts that involved all that you describe adding, subtraction, rewriting essays , but for the time being, I have set that project aside in favor of fiction.
I found the pleasure of writing the original essays was lost in the effort to rewrite them as a memoir. Something about that effort feels forced to me and it shows in the prose. I mean, I was writing about events as they were happening and may simply lack the necessary distance.
Essays, Memoirs, and True Stories
JW : Fortunately, when I sold the manuscript, it was on the basis of ten or eleven essays, not even a fifth of what the book would be in size. Others fell into place without changing a single word. And then there were the ones that had to be altered so that rather than having conclusions, they were left open-ended in a way that pointed the reader forward. CH: Your book is subtitled A Memoir of Race, Rebellion, and Redemption —how did you land on these three themes as the central unifying core of the book? JW : All three play an important role in the book, and, well, never underestimate the appeal of alliteration to publishers.
Incidentally, I wanted to call the book The Mechanics of Being since a major theme of the book is self-creation. My publisher thought that was too Zen. CH: What were some of your main considerations in deciding the sequence in which the essays appear in your book? How much does the final sequence reflect the order in which the essays were actually written?
Do readers and publishers push writers into certain literary forms primarily because of the comfort of familiarity? RA : A lot of writers discover their genre slowly, by trial and error. Essentially, the criticism of essays and nonfiction has not yet caught up with that of fiction and poetry, mainly because these are still considered more imaginative. CH: Jerald, have readers ever told you that your story might not have been as resonant if packaged as an essay collection?
JW : Interesting questions. Ultimately, as in all forms of commerce, the literary market is driven by consumer demand. If readers demand essay collections instead of memoirs, publishers would encourage memoirists to turn their chapters into essays, and memoir would be the shunned word that essay has become. My publisher did a great job. JW : Pretty much each piece can be read on its own, out of context. In fact, many of the chapters have appeared in various magazines and anthologies as essays. EJL : Honestly, I write essays when they occur to me. I only thought to collect them into a narrative- length book when one of mine was reprinted in Best American Essays and I realized that its food theme might serve as a through- line for a collection of food-related essays, a memoir in meals.
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If a book seems ambiguous or too diffuse, it may not appeal to as many readers. Readers think they know what a memoir is.http://co.organiccrap.com/67677.php
The Personal-Essay Boom Is Over | The New Yorker
The success of memoir in the last twenty years or more begets more success, more popularity. Memoir builds on memoir. A collection of essays operates as a kind of mystery object, contents unknown. Well, I would say that the publicity around memoir has been more successful than the publicity around essay. RA : The essay as a literary genre can only be fully appreciated if it is considered as a form of imaginative literature, a genre equivalent to fiction, poetry, and drama.
I like to tell students that the key syllable of information is form. CH: What is your impression of the changing needs and habits of the general reading population? Brief, idiosyncratic. And as the web continues to undermine the role of publishers as gatekeepers of culture, I think we have the potential for a richer literary culture as a result. MA : I imagine the present trends will continue. Even writers with books from major publishing houses now hire an additional publicity team. I do think books will be read less because people are spending so much more time reading and writing blogs, and other social media.
Surely the book as we know it is disappearing. RA : Over a half-century ago, E. White wondered if the popularity of audio-visual aids in our schools would dramatically affect reading. The literary arts for centuries have creatively absorbed every technological innovation, and so I see optimistically only a state of perpetual literary renewal. I do think, however, students today are less well-read than those of my generation and possess less literary and historical background, but on the other hand they are at the same time strangely more open and sophisticated. His work has appeared most recently in OUT Magazine.
He lives in Connecticut with his husband and their dog, Bugsy. CH: Is there an inherent aspect of the essay form that particularly appeals to you? CH: What difference do you think it makes to recast an essay collection as a memoir? Essays in the Publishing Market CH: Jerald, was there any strictly editorial value for you in packaging your book as a memoir versus a collection of essays?